About the Database

The Environmentally-Engaged Artistic Practices in South, Southeast Asia and the Pacific Database aspires to provide a comprehensive and rich data source for artists, climate scientists, and policymakers on the artistic practices of artists and collectives from the South, Southeast Asian and Pacific Regions. The complexity of the climate crisis at hand requires a transdisciplinary approach to research and practice, even as we see climate change becoming an ever-pressing theme across the disciplines of science and art. This database does not aim to be an exhaustive list of artists from the South, Southeast Asian and Pacific region but a carefully crafted list of artists and collectives that have a keen focus on environmental themes. Drawing on the expertise built up by NTU CCA over the years, this database animates the expansive network of artists from around the South, Southeast Asian and Pacific regions dedicated to themes related to traditional knowledge, biodiversity and ecosystems, anthropogenic impacts and risk and resilience. The hope is that this database presents an easy to use and initial source of information for scientists, policymakers and artists to find artists relevant to their area of expertise or region of study with the possibility of collaborating with artists in the database toward building transdisciplinary research methods.

The content featured in the database is edited and proofread by an internal team at NTU CCA. If you would like to contribute to, update or edit any of the information that currently exists in the database, please email ntuccacomms@ntu.edu.sg to get in touch.

This database is supported by the Ministry of Education Academic Research Fund Tier 1 Grant (RG39/21) Environmentally-Engaged Artistic Practices in South, Southeast Asia and the Pacific and their potential impact as contribution for transdisciplinary research in Singapore led by Principal Investigator Professor Ute Meta Bauer. Any opinions, findings and conclusions or recommendations expressed in this material are those of the author (s) and do not reflect the views of the Ministry of Education, Singapore.


How To Navigate the Database

Thematic Categorisation
The artists in this database are categorised into four distinct themes that reflect topics shared across climate sciences, humanities and the arts.

Anthropogenic Impact and Deep Time features artists illuminating human impact on environments with immediate devastating consequences on ecosystems but also pointing to possible rifts through future worlds.
Traditional Knowledge and Cosmologies includes artists that draw from ancestral histories, folklore and spiritual intelligence that deepen our understanding of the unseen and spectral elements of the natural world.
Biodiversity, Ecosystems and Livelihoods focuses on particular species-relations that artists developed through methods of long-term observation, cataloguing and audio-visual documentation.
Risk, Resilience, and Resistance shed light on the inequalities created by a changing climate and subsequently impacting regional ecosystems an dlivelihoods, artists in this category focu on community practices, localised knowledge as well as as on environmental and social justice.

Geography and Research Methodologies

The featured projects are further sorted into geographic locations, research methodology, and the various artistic media used. Many of these projects work both within but also without the current geographical delineations of maps, complicating the ways that we think about boundaries, topographies and spatiality. We hope to provide a wider range of 'countries/regions' onto this database that go beyond existing framing of borders. Similarly, artists engage in various rigorous research methodologies across a variety of fields and mediums, we hope to expand through our categorisations an expansive way of understanding research methodologies.


Team

Ute Meta Bauer
Founding Director of NTU Centre for Contemporary Art Singapore, and Professor, School of Art, Design and Media, Nanyang Technological University

Ute Meta Bauer co-chairs the Master of Arts in Museum Studies and Curatorial Practices and is the Principal Investigator for the Environmentally-Engaged Artistic Practices in South, Southeast Asia and the Pacific under the Ministry of Education Singapore Tier 1 Academic Grant, as well as the project Climate Crisis and Cultural Loss, under the Ministry of Education Singapore Tier 2 Academic Grant. Stemming from her inquiry into CLIMATES. HABITATS. ENVIRONMENTS., Bauer has curated multiple exhibitions in Singapore engaged in critical environmental enquiries, including Posthuman City, 2020, Trees of Life - Knowledge in Material, 2018 as well as The Oceanic, 2018 and its convening Tabu / Tapu - Who Owns the Ocean?, 2018. Over the past two years, Bauer has also organised two multi-day conferences under the title Climate Futures #1 & #2, that took place in Jakarta and Siem Reap, co-directed by NTU CCA colleague Magdalena Magiera in partnership with KONNECT ASEAN.

 

Angela Ricasio Hoten
Research Assistant
NTU School of Art, Design and Media

Angela Ricasio Hoten is a graduate of the Class of 2023 from Yale-NUS College with a degree in Environmental Studies and minor in Anthropology. As the Tier 1 research assistant at NTU CCA, Angela focuses primarily on building the database and researching on the possibilities of interdisciplinary collaboration across arts and sciences. She is also an environmental advocate in Singapore and writer, her current work includes 'Clementi Forest: From Rubber Plantation to Urban Forest with an Uncertain Future' and 'Dover Forest: The Fight to Protect Vanishing Ecosystems'  NUS’ as well as a forthcoming chapter in the book La-La Land Ocean Heritage, with Epigram Publishing.

A profile of a lady in blue blouse

Eunice Lacaste
Research Assistant, PhD Candidate
NTU School of Art, Design and Media

Eunice Lacaste was born in the Philippines and she grew up in Singapore. After obtaining her bachelor degree from University of the Philippines, she continued her postgraduate studies back in Singapore at the Nanyang Technological University. She is currently researching screen cultures. Eunice focuses on participatory art that engages the public through digital media. As an emerging researcher practitioner, she intends on decompartmentalising the aesthetic and the ethical, only to repackage them together in a more inclusive approach. Eunice is currently a member of the Artist Village Singapore, one of the pioneering art collectives in the country.


Additional Credits

The building of this database was done with the additional support of

Website Design: mono.studio
Coding: web3000


Terms of Use

Below are the Terms of Use for the database https://climateshabitatsenvironments.art/ ('the Site'). By accessing and/or using the Site, you accept and agree to abide by the following Terms of Use.

These Terms of Use may be changed from time to time. Changes will be posted on this page and your use of the Site after such changes have been posted will constitute your agreement to the modified Terms of Use and all of the changes.

Proprietary Rights 
This website is maintained by an internal team at NTU School of Art, Design and Media ('NTU').
The materials and contents located on the Site are protected by copyright, trademark and other forms of proprietary rights. The artist owns and retains all right, title or interest in and to the works of art and/or images of such works that he or she has created. The artist has granted NTU, a non-exclusive, royalty-free license during the Term to use, reproduce, and publish the Selected Works for purpose of the project.

Restrictions on Use of Materials
Except as otherwise provided, the contents of the Site shall not be reproduced, republished, uploaded, posted, transmitted or otherwise distributed in any way, without the prior written permission of the Artist.
Modification of any of the contents or use of the contents for any other purpose will be a violation of NTU's copyright and other intellectual property rights. Graphics and images on the Site are protected by copyright and may not be reproduced or appropriated in any manner without written permission of NTU.

Disclaimer of Warranties and Liability
The contents of the Site are provided on an "as is" basis without warranties of any kind. To the fullest extent permitted by law, NTU does not warrant and hereby disclaims any warranty:

(a) as to the accuracy, correctness, reliability, timeliness, non-infringement, title, merchantability or fitness for any particular purpose of the contents of this website;
(b) that the contents available through this website or any functions associated therewith will be uninterrupted or error-free, or that defects will be corrected or that this website and the server is and will be free of all viruses and/or other harmful elements.

NTU shall also not be liable for any damage or loss of any kind caused as a result (direct or indirect) of the use of the Site, including but not limited to any damage or loss suffered as a result of reliance on the contents contained in or available from the Site.

Links from This Website to Other Websites
The Site may contain hyperlinks to websites which are not maintained by NTU. NTU is not responsible for the contents of those websites and shall not be liable for any damages or loss arising from access to those websites. Use of the hyperlinks and access to such websites are entirely at your own risk.
Hyperlinks to other websites are provided as a convenience. In no circumstances shall NTU be considered to be associated or affiliated with any trade or service marks, logos, insignia or other devices used or appearing on websites to which the Site is linked.

Links to The Site from Other Websites
Except as set forth below, caching and links to, and the framing of this website or any of the contents are prohibited.

You must secure permission from NTU prior to hyperlinking to, or framing, this website or any of the contents, or engaging in similar activities. NTU reserves the right to impose conditions when permitting any hyperlinking to, or framing of this website or any of the contents.

Your linking to, or framing any part of this website or its contents constitute acceptance of these Terms of Use. This is deemed to be the case even after the posting of any changes or modifications to these Terms of Use. If you do not accept these Terms of Use, you must discontinue linking to, or framing of this website or any of the contents.

In no circumstances shall NTU be considered to be associated or affiliated in whatever manner with any trade or service marks, logos, insignia or other devices used or appearing on websites that link to this website or any of the contents.

NTU reserves all rights to disable any links to, or frames of any site containing inappropriate, profane, defamatory, infringing, obscene, indecent or unlawful topics, names, material or information, or material or information that violates any written law, any applicable intellectual property, proprietary, privacy or publicity rights.

NTU reserves the right to disable any unauthorised links or frames and disclaims any responsibility for the content available on any other site reached by links to or from this website or any of the contents.

Governing Law
These Terms of Use shall be governed and construed in accordance with laws of the Republic of Singapore.

 


Copyright and Trademarks

This database and its contents are protected by copyright and other intellectual property rights. The copyright of the contents and materials, except for any third party information available on the site, are owned by the respective artists. You may not reproduce, disseminate, adapt, modify or incorporate in printed or electronic form, any parts of the contents or materials available on this site without the prior written permission of the artist.